Miss France se rebelle

**sylvestre** Jeu 18 Nov - 11:51

http://www.ladepeche.fr/article/2010/11/17/950069-Pauline-Darles-jette-l-eponge-et-se-lache-sur-les-raisons-de-son-depart.html

Pauline Darles jette l'éponge et se lache sur les raisons de son départ

Miss France 2011 : Pauline Darles se confie sur son abandon hiMedia

Après l'annonce de sa défection, Pauline Darles, Miss Ile-de-France, est arrivée hier à Paris. Attendue par une foule de photographes et chaperonnée par Sylvie Tellier qui a fait le voyage retour dans le même avion qu'elle – selon Le Parisien la directrice générale de la société Miss France a voyagé en première et Pauline Darles en classe éco –, la Miss n'a pas mâché ses mots pour expliquer les raisons de son départ.

"Je leur ai dit que j'en avais assez des journées qui n'en finissaient pas, lever à 5h30 du matin, coucher à 0h30. Ras-le-bol de l'encadrement qui épie le moindre de nos gestes, qui scrute nos assiettes pour savoir ce qu'on mange. Ras-le-bol des chaperons qui vérifient la nuit si l'on se cache pour fumer. Ras-le-bol des messes basses sur les noms des douze finalistes. Marre de se faire engueuler comme des gamines de 4 ans", a-t-elle raconté, ce à quoi Sylvie Tellier aurait répondu : "Je commence à en avoir marre de toi, tu es une emmerdeuse. Je crois qu'il serait mieux pour tout le monde que tu partes."

Un peu avant ces explications, elle avait refusé de se joindre au déjeuner commun car elle était fatiguée : "On venait de terminer une énième séance photo sous la pluie, explique la Miss Ile-de-France. Cela avait duré près de cinquante minutes. J'en avais marre, j'étais fatiguée. Et l'on devait déjà enchaîner avec un tournage, destiné cette fois-ci au Web. C'en était trop."

Tout s'est ensuite très vite enchaîné : entretien avec le service juridique, signature de sa démission et retour dès le lendemain à Paris, où la jeune femme lâche, amère : "Je croyais pourtant que la reine de beauté est aussi une femme libre. Je me suis trompée. Nous sommes traitées comme du bétail, manipulées, formatées. Ce ne sont pas mes valeurs." Un sacré coup dur pour Sylvie Tellier...

BouffonVert72 Ven 19 Nov - 0:21

C'est anecdotique car pour une qui se "rebelle" un peu, combien d'autres restent dans le rang ?

BV72 ki ne pense pas que la déMISSion de Pauline soit annonciateur d'une rébellion générale dans tout le pays...

jacquouille Ven 19 Nov - 10:37

Va t'on vers une Greve Générale des Miss?débouchant sur une insurection contre Endémol?...Ou bien est-ce une contre révolution a l'instiguation de la"dame au chapeau".

Vous le saurez bientot en suivant les rebondissements dans ce conflit sur TF1 qui va probablement lancer une nouvelle série:"Le combat des Reines".(mais non,pas des rendeer

mais des

)

**sylvestre** Ven 19 Nov - 12:29

http://www.uic.edu/orgs/cwluherstory/jofreeman/photos/MissAm1969.html

No More Miss America! (1968-1969)

Browse photos of the 1969 Miss America Protest.

In 1968 and 1969 women's liberation staged demonstrations at the annual Miss America Beauty pageant held in Atlantic City, NJ. The 1968 protest shocked the country, creating a lot of publicity, and some myths, about the new movement. The 1969 protest was smaller and was largely ignored.
The 1968 protest originated with New York Radical Women, one of the earliest women's liberation groups in the country. About 150 feminists from six cities joined them to show how all women were hurt by beauty competitions. They argued that the contest declared that the most important thing about a woman is how she looks by parading women around like cattle to show off their physical attributes. All women were made to believe they were inferior because they couldn't measure up to Miss America beauty standards. Women's liberation would "attack the male chauvinism, commercialization of beauty, racism and oppression of women symbolized by the Pageant."
The Atlanta City convention center opens onto a vast boardwalk between it and the beach. The large expanse of boards easily seen from the entrance makes it a great place for demonstrations. Women's liberation took advantage of this to stage several guerilla theater actions. A live sheep was crowned Miss America. Objects of female oppression -- high heeled shoes, girdles, bras, curlers, tweezers -- were tossed into a Freedom Trash Can. A proposal to burn the can's contents was scuttled when the police said that a fire would pose a risk to the wooden boardwalk. Women sang songs that parodied the contest and the idea of selling women's bodies: "Ain't she sweet; making profits off her meat." A tall, Miss America puppet was auctioned off.
Sixteen feminists bought tickets to the evening's entertainment. They smuggled in a banner reading WOMEN'S LIBERATION. Sitting in the front row of the balcony, they unfurled it as the outgoing Miss America made her farewell speech, while shouting "Freedom for Women," and "No More Miss America." The pageant continued as though nothing had happened. This action was quickly followed by the release of two stink bombs on the floor of the hall. All protestors were removed from the hall; five were arrested, but later released.
The outrageousness of challenging the Miss America icon brought the press out in droves, putting women's liberation on the front pages all over the country. From this, women learned that a new feminist movement was emerging and flocked to join.
The 1968 demonstration also saddled women's liberation with the myth of bra burning. Forevermore the press would repeat that women burned their bras. They never remembered where this was supposed to have occurred, let alone that it never happened.
Women's liberation invited even more women to "Don't Miss America" the next year. They planned more "actions, excitement, analysis, militance." But very little happened.
In anticipation of disruption, on September 4, 1969 the Pageant got a court injunction prohibiting actions similar to the ones that took place in 1968, and some that were merely rumored but had neither been planned nor had happened. As soon as women's liberation marched onto the boardwalk the local police read them the riot act -- the injunction -- and threatened arrest if it was violated. An officer examined the protest signs to see if any had prohibited "offensive language." Afterwards, the women were kept on the beach side of police barricades, well away from the entrance to the hall. They marched and performed skits while members of the public gawked from the other side of the barricades. Lacking much else to do, the feminists went up to the women gawkers and engaged them in conversation about what was going on.
The feminist button depicting a clenched fist inside the biological female symbol debuted at the 1969 protest. It quickly spread to become the women's liberation trademark. As originally designed, it was "menstrual red" on white, though it morphed into many colors and styles over the next few decades.

Photos of the 1969 Miss America Protest by Jo Freeman

Please click on thumbnails to view the complete image

Women's Liberation marches onto the Atlantic City boardwalk.

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Here she comes....

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...Miss America!

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Police read injunction....

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...and examine posters for "offensive language."

Marching on the boardwalk

According to Terry Moon, who came from Detroit to participate in the demonstration, the skit depicted the life of a typical American woman college graduate. She marries, has a child and spends her days cleaning and cooking. After years of years of tedium, she wants to return to the world and decides to get a job.
The signs describe the reality she faces: "Boring job: Woman wanted," "Low Pay: Woman wanted." Then she meets the "Revlon Lady" (a sponsor of the pageant) who tells her that life will be better if she puts on a mask. "Get a whole new face, a whole new look," "Buy! Buy! Buy!"
She buys. She puts on a mask and pulls a dress over her pants. Nothing changes. She is still mopping the boardwalk. Finally she accepts the only job she can find: typing. It's just as boring as mopping the boardwalk. As she types, the other participants in the skit -- the Revlon Lady, those who held the signs, her "husband," -- close in around her to beat her down. They get closer and closer, surrounding her and beating her until she is huddled on the boardwalk, a little defeated lump.

Please click on thumbnails to view the complete image

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Holding child, pots and pans, she mops the boardwalk.

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The Revlon Lady tells her to put on a mask. "Be a whole new person" and "get a whole new life."

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New Person; new mask; same choices.

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Nothing changes. It's just more of the same.

Spectators respond to the skit.